The ecological triptych being created was meant to reflect how a new transparent shell, produced by man, envelops not only the products for which it was intended, but also wraps the surrounding world
(acrylic and burnt cellophane)
An air capsule that steams in itself and increases the degree of general sensation due to the ingress of elements of burnt plastic into it.
Artistic self-service at this point in time is hooked on genres such as abstraction, installation and performance.
The mental premise, which is stitched with a red thread in my works, is based on the chemistry of the senses of such living organisms as people and their relationship with each other.
The group of designers of my spiritual foundation can be identified as representatives of Viennese actionism: Rudolf Schwarzkogler, Gunther Brus and artists such as Yves Klein and Lucho Fontata.
Looking into the boundless future, I already clearly see my last job, which will put a shocking end to my career. Collect as much of my work as possible and burn them, mixing them with my ashes, in order to completely destroy the boundaries of my essence and my creativity.
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